Undoubted highlight of “MDK” is an 11-minute medley midway through Part 2 of classic filmi songs involving the entire cast and staged in one of ace art director Sharmishta Roy’s tastefully extravagant sets. Surprise appearance of an upcoming star helps resolve the romantic equation. friendship, and the countdown to the mismatched couple’s marriage proceeds. Part 2 is marginally more substantial, and maintains a generally light tone, as the “plot” chews over love vs. Kapoor largely reprises her pampered bimbo from “Kabhi khushi kabhie gham,” but Roshan proves a smart mover and good dance talent, as well as showing natural chemistry with the gravel-voiced, killer-smile Mukherjee. Worse, Raj’s dad had earlier promised Tina and Pooja’s dad that Raj would marry Tina - and he intends to stick by the promise.Ĭritic-turned-musicvid director Kunal Kohli pulls all the right levers in pic’s first half, with four well-shot musical numbers (in London and, doubling for the Himalayas, Switzerland), using slick editing that compensates for Ahmed Khan’s only OK choreography. From a stray remark by her, Raj guesses the truth they agree to marry but, on returning to Shimla, find her father has passed away. Pooja takes it on the chin when Raj makes a direct beeline for the pouting Tina but after he returns to London, Pooja just happens to pop up with his favorite homemade cookies. While growing up overseas, Raj has fallen in love with Tina through her emails in fact, these were actually written by Pooja who, unbeknownst to Raj, has fallen in love with the chiseled hunk. After living for 15 years in London as his father built a computer business, Raj (Roshan) returns home to Shimla in the Himalayas for a brief visit with his childhood friends, sisters Tina (Kareena Kapoor) and Pooja (Mukherjee).
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